Looking through the lens of black business history, Beauty Shop Politics shows how black beauticians in the Jim Crow era parlayed their economic independence and access to a public community space into platforms for activism. Tiffany M. Gill argues that the beauty industry played a crucial role in the creation of the modern black female identity and that the seemingly frivolous space of a beauty salon actually has stimulated social, political, and economic change.
From the founding of the National Negro Business League in 1900 and onward, African Americans have embraced the entrepreneurial spirit by starting their own businesses, but black women's forays into the business world were overshadowed by those of black men. With a broad scope that encompasses the role of gossip in salons, ethnic beauty products, and the social meanings of African American hair textures, Gill shows how African American beauty entrepreneurs built and sustained a vibrant culture of activism in beauty salons and schools. Enhanced by lucid portrayals of black beauticians and drawing on archival research and oral histories, Beauty Shop Politics conveys the everyday operations and rich culture of black beauty salons as well as their role in building community.
The first major study to consider Black women’s activism in rural Arkansas, Better Living by Their Own Bootstraps foregrounds activists’ quest to improve Black communities through language and foodways as well as politics and community organizing. In reexamining these efforts, Cherisse Jones-Branch lifts many important figures out of obscurity, positioning them squarely within Arkansas’s agrarian history.
The Black women activists highlighted here include home demonstration agents employed by the Arkansas Agricultural Cooperative Extension Service and Jeanes Supervising Industrial Teachers, all of whom possessed an acute understanding of the difficulties that African Americans faced in rural spaces. Examining these activists through a historical lens, Jones-Branch reveals how educated, middle-class Black women worked with their less-educated rural sisters to create all-female spaces where they confronted economic, educational, public health, political, and theological concerns free from white regulation and interference.
Centered on the period between 1914 and 1965, Better Living by Their Own Bootstraps brings long-overdue attention to an important chapter in Arkansas history, spotlighting a group of Black women activists who uplifted their communities while subverting the formidable structures of white supremacy.
The book examines various groups of black female activists, including writers and actresses, social workers, artists, school teachers, and women's club members to document the impact of social class, gender, nativity, educational attainment, and professional affiliations on their activism. Together, these women worked to sponsor black history and literature, to protest overcrowded schools, and to act as a force for improved South Side housing and employment opportunities. Knupfer also reveals the crucial role these women played in founding and sustaining black cultural institutions, such as the first African American art museum in the country; the first African American library in Chicago; and various African American literary journals and newspapers. As a point of contrast, Knupfer also examines the overlooked activism of working-class and poor women in the Ida B. Wells and Altgeld Gardens housing projects.
Mary McLeod Bethune was a significant figure in American political history. She devoted her life to advancing equal social, economic, and political rights for blacks. She distinguished herself by creating lasting institutions that trained black women for visible and expanding public leadership roles. Few have been as effective in the development of women’s leadership for group advancement. Despite her accomplishments, the means, techniques, and actions Bethune employed in fighting for equality have been widely misinterpreted.
Just as women changed the direction and agenda of the peace movement when they became progressively more involved in an all-male club, black women altered a cause that had previously lacked racial diversity when they were first granted admission to the Women’s International League for Peace and Freedom in 1915. As Joyce Blackwell illustrates in this first study of collective black peace activism, the increased presence of black women in the WILPF over the next sixty years brought to the movement historical experiences shaped by societal racism.
No Peace Without Freedom: Race and the Women’s International League for Peace and Freedom, 1915–1975 explores how black women, fueled by the desire to eradicate racial injustice, compelled the white leadership of the WILPF to revisit its own conceptions of peace and freedom. Blackwell offers a renewed examination of peace movements in American history, one that points out the implications of black women’s participation for the study of social activism, African American history, and women’s history. This new perspective on interracial and black female global activism helps redefine the often-covert systemic violence necessary to maintain systems of social and economic hierarchy, moving peace and war discourse away from its narrow focus on European and European-American issues.
Blackwell looks closely at the reasons why white women organized their own peace group at the start of World War I and assesses several bold steps taken by these groups in their first ten years. Addressing white peace activists’ continuous search for the “perfect” African American woman, Blackwell considers when and why black women joined the WILPF, why so few of them were interested in the organization, and what the small number who did join had in common with their white counterparts. She also shows how the WILPF, frustrated at its inability to successfully appeal to black women, established a controversial interracial committee to deal with the dilemma of recruiting black women while attempting to maintain all of its white members.
Tracing the black activists’ peace reform activities on an international level from World War I to the end of the Vietnam War, No Peace Without Freedom examines the links black activists established within the African American community as well as the connections they made with peoples of the black Diaspora and later with colonized people irrespective of race. The volume is complemented by eighteen illustrations.
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